Most recent job postings at BroadwayWorld
via Broadway World posted_at: 4 days agoschedule_type: Contractor
GreenMan Theatre Troupe is pleased to announce auditions for its next show – the world premiere of “Love and Tear Gas,” by Emmy Award winning writer Ken Levine (“Cheers,” “Frasier, “M*A*S*H,” “The Simpsons,” etc.) Levine's plays are riotously funny (literally, with this one), and with a depth of human awareness. Recent productions of Levine's “Upfronts and Personal” and “America's Sexiest Couple”... at Aurora's Riverfront GreenMan Theatre Troupe is pleased to announce auditions for its next show – the world premiere of “Love and Tear Gas,” by Emmy Award winning writer Ken Levine (“Cheers,” “Frasier, “M*A*S*H,” “The Simpsons,” etc.) Levine's plays are riotously funny (literally, with this one), and with a depth of human awareness. Recent productions of Levine's “Upfronts and Personal” and “America's Sexiest Couple”... at Aurora's Riverfront Playhouse have been highly successful, artistically and financially. Directing will be GreenMan regular Craig Gustafson, winner of the 2022 Broadway World - Chicago Best Director Award for his production of Levine's “Upfronts and Personal.” SYNOPSIS – a comedy taking place in Los Angeles in 1969 amidst rioting and Hollywood glamor. Movie star Kim Carlisle hooks up with political activist Walter Arbogast and moves from her mansion in Bel-Air to Walter's shabby, dangerous house. Their relationship gets a bit rocky when Kim tries to reconcile her old life with her new one, with the assistance of handyman Larry. The rats are disturbing, her new political awareness endangers her movie career and then Walter says, Oh by the way, I thought a baby would help our relationship, and hands her a newly adopted baby. Will Kim survive any of this? REASONS TO AUDITION: • You would be creating roles in the world premiere of a show by an Emmy Award winning comedy writer. • Ken Levine (the Emmy Award winning comedy writer) will be present during opening weekend and will participate in post-show talk-backs. • The script is very funny. • There is a five week rehearsal process, rehearsing four times per week. Two of those rehearsal sections will be Sunday afternoon and evening, so the total amount of rehearsal days will be seventeen. In order to best utilize the time of actors auditioning for “Love and Tear Gas,” auditions are by appointment only at GreenMan Theatre Troupe, at First United Methodist Church, 232 S. York Street, Elmhurst, Illinois. All actors and crew must show proof of vaccination. GreenMan Theatre Troupe is a non-professional theater. There is no pay. The process is as follows: To schedule an appointment, please email LoveandTearGas@gmail.com, which is also the proper e-mail address if you have any questions. State your name and which day you would like to audition. Your timeslot will be assigned and audition sides sent to you. Attaching a headshot and resume is acceptable but not required. Details on what you need to read will be given to you when your appointment is scheduled. 1. Actors will be scheduled for Sunday, March 26 and Monday, March 27. If all slots fill up on those dates, other dates will be added. 2. Actors will be assigned a call time – Sunday: either 1:00, 1:30, 2:00, 2:30, 3:00 or 3:30 p.m. Monday: either 7:00, 7:30, 8:00, 8:30, 9:00 or 9:30 p.m. 3. Actors will be will spend 30 minutes in a reading audition. No monologues, no improvs. Everyone who attends will get to read for at least two different roles. The following sides are enclosed: 4. Walk-ins will be seen only if there are any open slots or cancellations, so making an appointment is strongly encouraged. 5. Those cast will be called by noon on Tuesday, March 28. Actors who are not cast or called back will be contacted by e-mail. Read through will be held at 7:00 p.m. on Thursday, March 30. Performances of “Love and Tear Gas” run May 5-21, 2023. Shows are Fridays and Saturdays at 7:30 p.m. and Sundays at 2:00. For tickets and information, please visit www.greenmantheatre.org. CHARACTER BREAKDOWN WOMEN: KIM. Late 20s-early 30s. A glamorous young movie star, genuinely willing to risk her career in order to learn how to help people. MEN: WALTER. Late 20s-early 30s. A dedicated activist, sincere, smart and generous – if you’re not actually in a relationship with him, at which point the active word is “controlling.” LARRY. 30s-50s. African-American. The voice of reason, and a dedicated smartass. He also carries a Surprising Secret Show more details...
via Broadway World schedule_type: Contractor
AUDITIONS PRESCOTT PARK ARTS FESTIVAL in the idyllic Seacoast of Portsmouth, NH is seeking dynamic performers to play all leading and ensemble roles in its signature Mainstage summer musical production of LITTLE SHOP OF HORRORS. For nearly 50 years, Prescott Park Arts Festival has served the Seacoast community with family-friendly entertainment, inspiring artistic offerings, and a public place... for our community to gather and share unique experiences. AUDITIONS PRESCOTT PARK ARTS FESTIVAL in the idyllic Seacoast of Portsmouth, NH is seeking dynamic performers to play all leading and ensemble roles in its signature Mainstage summer musical production of LITTLE SHOP OF HORRORS. For nearly 50 years, Prescott Park Arts Festival has served the Seacoast community with family-friendly entertainment, inspiring artistic offerings, and a public place... for our community to gather and share unique experiences. Today, the Festival provides more than 90 diverse arts events to nearly 150,000 people each season. With a policy of suggested donation only and a beautiful outdoor venue along the banks of the Piscataqua, the Festival is affordable and available to all. The main stage musical is the Festivals signature summer event, with 4 performances a week. Book and Lyrics by Howard Ashman Music by Alan Menken Based on the film by Roger Corman, Screenplay by Charles Griffith Original Vocal Arrangements by Robert Billig New Arrangements by Michael Kosarin Orchestrations by Danny Troob The Festival’s summer production will be directed by Tom Alsip, Director of the Musical Theatre Program for the University of New Hampshire Theater Department. This will be Alsip’s second summer in the park and he will be joined by long-time Festival favorites, choreographer Mary Beth Marino and Music Director Kathy Fink. Performances June 23 through August 13, 2023 (most Thursdays through Sundays) Rehearsals begin mid-May 2023 Stipend available. Housing assistance for out of state candidates is available on a limited basis. Seeking NON-UNION and EMC actors who can sing and dance. Equity Guest Artist contract available for certain roles. Virtual Auditions are open now. DEADLINE FOR SUBMISSION: Saturday, February 4, 2023 at 11:59pm We encourage you to submit early. AUDITION REQUIREMENTS Along with your most up to date headshot and resume, actors should submit: - A video with a contemporary monologue - One 32 bar cut of a song in the style of the show - Additionally, individuals auditioning for Crystal, Chiffon, and Ronnette are encouraged, but not required, to submit a dance reel or a video audition from a previous production in their initial audition. There will be dance included in the callbacks for those roles. Please Submit Audition Form. COMMITMENT TO DIVERSITY, EQUITY, AND INCLUSION We embrace and encourage applicants with the following identities to apply: Black, local Indigenous, people of color and people with intersecting identities including LGBTQIA+, women and non-binary people, people living with disabilities, and others with lived experience being part of marginalized and historically excluded communities. If you have any questions please email auditions@prescottpark.org PLAY SYNOPSIS Feed the need for musical hilarity with this delicious sci-fi smash about a man-eating plant, featuring the 2003 Broadway orchestrations. A deviously delicious Broadway and Hollywood sci-fi smash musical, Little Shop Of Horrors has devoured the hearts of theatre-goers for over 30 years. Howard Ashman and Alan Menken (Disney’s The Little Mermaid, Beauty And The Beast, and Aladdin) are the creative geniuses behind what has become one of the most popular shows in the world. The meek floral assistant Seymour Krelborn stumbles across a new breed of plant he names “Audrey II” – after his coworker crush. This foul-mouthed, R&B-singing carnivore promises unending fame and fortune to the down and out Krelborn as long as he keeps feeding it, BLOOD. Over time, though, Seymour discovers Audrey II’s out of this world origins and intent towards global domination! This version of the wildly produced classic features the original libretto we all know and love paired with the 2003 Broadway orchestrations. CASTING Prescott Park Arts Festival will take an inclusive approach to casting our show. Any actor can play any role, and there are no requirements or restrictions other than to perform the book, music and lyrics as written. While the gender of the characters and ensemble members, however, must remain as written in the script (listed here in accordance with MTI’s requirements), our casting will be inclusive and performers of all genders beyond the binary are encouraged to audition for the role they feel best suits them. CASTING BREAKDOWN Seymour Krelborn An insecure, put-upon florist’s clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills. Character’s gender: Male Age: 21 to 35 Vocal range top: G4 Vocal range bottom: A2 Audrey Bleached-blond, Billie-Dawn-like, secret love of Seymour’s life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor. Character’s gender: Female Age: 21 to 35 Vocal range top: D5 Vocal range bottom: G#3 Mr. Mushnik The seasoned owner of the failing East Side flower shop and Seymour’s nosy boss. He is profit-driven, greedy, and manipulative. Character’s gender: Male Age: 40 to 65 Vocal range top: F4 Vocal range bottom: G2 Orin Scrivello An egotistical dentist with a passion for leather and sadistic tendencies. Audrey’s abusive boyfriend, who is targeted by Seymour. Please note, the actor playing Orin may additionally play and/or understudy certain ensemble members. Character’s gender: Male Age: 21 to 40 Vocal range top: G4 Vocal range bottom: G2 The Ronnettes Crystal, Ronnette and Chiffon are street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality. Crystal Character’s gender: Female Age: 20 to 35 Vocal range top: F5 Vocal range bottom: Ab3 Chiffon Character’s gender: Female Age: 20 to 35 Vocal range top: F5 Vocal range bottom: Ab3 Ronnette Character’s gender: Female Age: 20 to 35 Vocal range top: F5 Vocal range bottom: Ab3 Audrey II (Voice) An actor/vocalist located offstage. The voice is that of a conniving, street-smart ‘villain.’ A funky Rhythm and Blues voice is best. Character’s gender: Male Age: 20 to 50 Vocal range top: G4 Vocal range bottom: G2 Audrey II (Puppet) An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Audrey II consists of four total puppets, three of which appear in Act I with the final, and largest puppet appearing in Act II. The puppeteer will work all iterations of Audrey II. Ensemble 1, male 20-30 (also serves as puppeteer/Seymour understudy) Ensemble 2, female 20-30 (another member of The Ronnettes, Audrey understudy) Ensemble 3, male 25-50 (also serves as Orin/Mushnik/Voice of Audrey II understudy Show more details...
via Broadway World schedule_type: Contractor
SEEKING TECHNICAL DIRECTOR / RIGGER- WEST SIDE STORY - INTERNATIONAL TOUR TOUR TECHNICAL DIRECTOR / Rigger: Salary $1,900 USD paid weekly + Per Diem $30 + Single Hotel Room w/ Breakfast Must have experience touring musicals. (International experience a plus.) Gig is available now. Send your resume and brief cover letter ASAP. Please indicate your name and position requested in the subject line... to: WSSInternationalTourTech@gmail.com PRESS LINK: SEEKING TECHNICAL DIRECTOR / RIGGER- WEST SIDE STORY - INTERNATIONAL TOUR TOUR TECHNICAL DIRECTOR / Rigger: Salary $1,900 USD paid weekly + Per Diem $30 + Single Hotel Room w/ Breakfast Must have experience touring musicals. (International experience a plus.) Gig is available now. Send your resume and brief cover letter ASAP. Please indicate your name and position requested in the subject line... to: WSSInternationalTourTech@gmail.com PRESS LINK: (cut and paste) https://bway.ly/buk7qn#https://www.broadwayworld.com/article/Lonny-Price-Directed-WEST-SIDE-STORY-World-Tour-To-Launch-December-2022-20220520 WEST SIDE STORY International Tour Non-Jurisdictional playing cities/capitals worldwide, including Vienna, Zurich, Bangkok, Paris, Tokyo, Dubai & others Tour Producer: Mehr-BB Entertainment GmbH www.BB-promotion.com Producer: Ralf Kokemüller Executive Producer: Martin Flohr Book: Arthur Laurents Music: Leonard Bernstein Lyrics: Stephen Sondheim Concept: Jerome Robbins Director: Lonny Price Original Choreo/Additional Choreo: Julio Monge Musical Director: Grant Sturiale Casting: The Casting Collaborative / Richard Glover & Jason Styres General Manager: Sundance Productions Inc. NYC PRODUCTION INFORMATION: We can hire immediately or within a few weeks. Currently touring Germany. Some night liner travel, some double show weekends. Closing: 4/2/2024 (there are two short tour layoffs and can consider shorter engagement) SALARY INFORMATION: Salary + Per Diem + Transportation + Accommodations + Medical Travel Insurance + Workers Compensation Insurance. HEALTH / SAFETY INFORMATION: All touring employees will be required to be vaccinated for COVID-19 and adhere to strict protocols and guidelines when traveling with the tour. The Producer’s protocols will be in addition to any local, city, state, national, and/or international guidelines that are in place Show more details...
via Media Bistro posted_at: 26 days agoschedule_type: Full-timework_from_home: 1
BroadwayWorld is looking for a full-time Ad Operations team member with a solid understanding of the digital advertising ecosystem. This candidate should be a self-starter and demonstrate previous experience as well as excellent communication skills. Communicating technical issues across departments will be a key function of this role. Attention to detail is a must.Musts:-Minimum 2-3 years of online ad operations experience with strong understanding BroadwayWorld is looking for a full-time Ad Operations team member with a solid understanding of the digital advertising ecosystem. This candidate should be a self-starter and demonstrate previous experience as well as excellent communication skills. Communicating technical issues across departments will be a key function of this role. Attention to detail is a must.Musts:-Minimum 2-3 years of online ad operations experience with strong understanding of implementation and creative QA-Experience working in Google Ad Manager (preferred), DCM, Teads, Live Intent, Sizmek, Salesforce DMP, Sales Manager and/or similar platforms-Experience in troubleshooting ad serving issues-Knowledge of ad yield and online performance metrics-Strong understanding of the digital advertising eco system-Comprehensive knowledge of campaign reporting-Familiarity with E-Mail Blast and eNewsletter Sponsorships, including use of email platforms (such as Constant Contact, MailChimp, etc.)-Ability to clearly convey... complex information through written and verbal communicationAbout the Job:-Work closely with client contacts to provide ad operations support and communicate status of campaigns, technical issues, launch delays, delivery issues, etc.-Ensure clients are provided with reporting, full specs for materials and that campaigns are properly loaded for full success.-Work between advertising, editorial, marketing and technical teams.-Perform quality assurance/quality control checks on client campaigns to ensure that all placements and creative have been set up correctly and are delivering on pace-Monitor and analyze campaign performance to ensure customer satisfaction and provide suggestions for optimization-Assist with documenting, updating and maintaining trafficking and work-flow procedures for client accounts-Address day-to-day issues and questions from clients and internal personnelThe role is 100% remote, so is ideal for someone looking for a flexible employment position, with no commute and standard working hours (EST). You will also work closely with management and tech teams to understand the latest best practices and updates to the social platforms. This is a full-time position with a starting salary based on experience between $50k-$75k, plus matching 401k and benefits Show more details...
via Broadway World schedule_type: Full-time
Employment date range: 3/6/22-5/26/22 Actors Studio Drama School Rep seeks a skilled and collaborative Production Manager. They are responsible for overseeing all production departments including lighting, props, scenic and costumes. They will oversee the hiring of overhire crew in conjunction with Program Director, manage the budget for the production department, coordinate production elements between rehearsal and performance venues, and create Employment date range: 3/6/22-5/26/22 Actors Studio Drama School Rep seeks a skilled and collaborative Production Manager. They are responsible for overseeing all production departments including lighting, props, scenic and costumes. They will oversee the hiring of overhire crew in conjunction with Program Director, manage the budget for the production department, coordinate production elements between rehearsal and performance venues, and create and manage the production schedule. Collaborating with Pace University facilities staff for needs of production. Structured as a full-time, three-year Master of Fine Arts (MFA) program, The Actors Studio Drama School Rep at Pace University is the only master's degree program officially affiliated with The Actors Studio. Third-Year students' thesis productions are produced in repertory style over the course of 6 weeks with the help of industry professionals. Qualifications and Requirements: -Significant organizational skills and demonstrated... ability to monitor multiple projects simultaneously -Self-motivated with exceptional attention to detail -Significant written and oral communication skills -Familiarity with industry specific software (VectorWorks, QLab, etc) -Experience supervising technical production staff and strong interpersonal skills is a must To apply, please submit a resume and a letter of interest to info@brierpatch.nyc Show more details...
via Broadway World posted_at: 9 days agoschedule_type: Contractor
SPRING AWAKENING Music by Duncan Sheik Book and Lyrics by Steven Sater PERSONNEL The Watering Hole Collective Executive Producer: Laura Payne Artistic Producers & Directors: Claire Greenberg & Mac Welch Music Director: Olivia de Guzman Movement Director: Emily Bernet Location: Arts Mission Oak Cliff DATES In-Person Callbacks: April 8th, 2023 First Rehearsal: Tuesday, June 6, 2023 Opening... Wednesday, July 5, 2023 Closing: Saturday, July 15, 2023 SPRING AWAKENING Music by Duncan Sheik Book and Lyrics by Steven Sater PERSONNEL The Watering Hole Collective Executive Producer: Laura Payne Artistic Producers & Directors: Claire Greenberg & Mac Welch Music Director: Olivia de Guzman Movement Director: Emily Bernet Location: Arts Mission Oak Cliff DATES In-Person Callbacks: April 8th, 2023 First Rehearsal: Tuesday, June 6, 2023 Opening... Wednesday, July 5, 2023 Closing: Saturday, July 15, 2023 SEEKING The Watering Hole Collective encourages actors of all backgrounds and abilities to submit. Full vaccination is required. We are seeking adult professional actors as well as High school Seniors (18+) that are collaborative and passionate about this show. Actors for roles in SPRING AWAKENING (See breakdown). CHARACTER BREAKDOWNS WENDLA BERGMAN: A sweet, but naive young girl who is trapped in her family’s unwillingness to teach her about the adult world, but with every passing day, she grows bolder and more curious about her body. Both vulnerable and a willing participant in her evolution. (HIGH SCHOOL STUDENTS NOT ELIGIBLE FOR THIS ROLE) ILSE NEUMANN: A misguided young girl who runs away from an abusive home to live in an artists’ colony. Kind and resilient while also broken and stuck in a cycle of abuse. MARTHA BESSELL: One of Wendla’s friends who is abused by her father, and she keeps the worst of the abuse to herself. ANNA: A kind school girl and Martha’s best friend. THEA: A confrontational school girl and Wendla’s best friend. MELCHIOR GABOR: A headstrong, smart and charismatic schoolboy. He knows much more than the others because of what he reads in books and is able to see the corruption in society. (HIGH SCHOOL STUDENTS NOT ELIGIBLE FOR THIS ROLE) MORITZ STIEFEL: Melchior’s intense and nervous best friend. He has an overwhelming confusion relating to sexual feelings that quickly develop into a serious issue for him. The system has failed him. Highly sensitive and aware of his inability to fit into the system and feels like a failure. (HIGH SCHOOL STUDENTS NOT ELIGIBLE FOR THIS ROLE) HÄNSCHEN RILOW: A cunning schoolboy, who manipulates the other students, especially Ernst, whom he seduces. Like Melchior, he also appears to be very intelligent, but uses his knowledge in favor of the system. ERNST RÖBEL: A sweet and naive classmate. He is Hänschen’s love interest. GEORG ZIRSCHNITZ : A hormonal schoolboy who lusts after his older, busty piano teacher. OTTO LÄMMERMEIER: Another schoolboy who has a disturbing dream about his mother. ADULT WOMAN: Frau Bergman: Wendla’s mother; Fräulein Knuppeldick: an associate of Headmaster Knochenbruch Frau Bessell: Martha’s mother; Fräulein Grossebüstenhalter: Georg’s piano teacher; Fanny Gabor: Melchior’s mother (HIGH SCHOOL STUDENTS NOT ELIGIBLE FOR THIS ROLE) ADULT MAN: Herr Sonnenstich: a schoolteacher; Herr Stiefel: Moritz’s father; Schmidt: the abortionist; Herr Neumann: Ilse’s Father; Headmaster Knochenbruch: the boys’ school headmaster (HIGH SCHOOL STUDENTS NOT ELIGIBLE FOR THIS ROLE) *NOTE: Each adult plays multiple roles. HIGH SCHOOL ENSEMBLE SUBMISSION INSTRUCTIONS Please submit a 32-bar contemporary musical theater, pop/rock song, or a selection from the show that can be found here: Spring Awakening Audition Cuts: https://drive.google.com/drive/folders/1jiHpGcXXF_UdsEckCyKWTMenhECBrh0H?usp=sharing DEADLINE TO SUBMIT 11:59 PM MARCH 31st, 2023 SUBMIT TO Spring Awakening High Schooler Audition Form: https://forms.gle/j6fXiEwj5X7M8Zes8 Spring Awakening Adult Audition Form: https://forms.gle/KEL6pBYcpQ7LBvK47 SALARY All actors will receive a weekly stipend, TBD. UNION Non-Union *SPRING AWAKENING Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com Show more details...
via Adzuna posted_at: 27 days agoschedule_type: Full-timesalary: 50K–75K a year
BroadwayWorld is looking for a full-time Ad Operations team member with a solid understanding of the digital advertising ecosystem. This candidate should be a self-starter and demonstrate previous experience as well as excellent communication skills. Communicating technical issues across departments will be a key function of this role. Attention to detail is a must. Musts... -Minimum 2-3 years of online ad operations experience with strong understanding BroadwayWorld is looking for a full-time Ad Operations team member with a solid understanding of the digital advertising ecosystem. This candidate should be a self-starter and demonstrate previous experience as well as excellent communication skills. Communicating technical issues across departments will be a key function of this role. Attention to detail is a must.

Musts...

-Minimum 2-3 years of online ad operations experience with strong understanding of implementation and creative QA

-Experience working in Google Ad Manager (preferred), DCM, Teads, Live Intent, Sizmek, Salesforce DMP, Sales Manager and/or similar platforms

-Experience in troubleshooting ad serving issues

-Knowledge of ad yield and online performance metrics

-Strong understanding of the digital advertising eco system

-Comprehensive knowledge of campaign reporting

-Familiarity with E-Mail Blast and eNewsletter Sponsorships, including use of email platforms (such as Constant Contact, MailChimp, etc.)

-Ability to clearly convey complex information through written and verbal communication

About the Job:

-Work closely with client contacts to provide ad operations support and communicate status of campaigns, technical issues, launch delays, delivery issues, etc.

-Ensure clients are provided with reporting, full specs for materials and that campaigns are properly loaded for full success.

-Work between advertising, editorial, marketing and technical teams.

-Perform quality assurance/quality control checks on client campaigns to ensure that all placements and creative have been set up correctly and are delivering on pace

-Monitor and analyze campaign performance to ensure customer satisfaction and provide suggestions for optimization

-Assist with documenting, updating and maintaining trafficking and work-flow procedures for client accounts

-Address day-to-day issues and questions from clients and internal personnel

The role is 100% remote, so is ideal for someone looking for a flexible employment position, with no commute and standard working hours (EST). You will also work closely with management and tech teams to understand the latest best practices and updates to the social platforms. This is a full-time position with a starting salary based on experience between $50k-$75k, plus matching 401k and benefits
Show more details...